Stephen Barlow is the Artistic Director of Buxton Festival, for which he has conducted Intermezzo, La Colombe, La Princesse Jaune, The Jacobin and Otello.
Stephen was a boy chorister at Canterbury Cathedral and then studied at King’s School‚ Canterbury. He won the Organ Scholarship to Trinity College‚ Cambridge‚ where he was Musical Director of the University Chamber Orchestra and Chamber Choir and founder of the University Bach Choir. There followed a period at Guildhall School of Music and Drama‚ where he studied under Vilem Tausky.
He has conducted the premières of his own opera King in Canterbury Cathedral and of his Clarinet Concerto with Emma Johnson and the Ulster Orchestra; The Rake’s Progress with Nationale Reisopera; Faust and Nabucco in Australia; Bluebeard’s Castle with the Auckland Philharmonia; Falstaff‚ Rusalka and Norma at Grange Park Opera; the Jette Parker Young Artists Programme Summer Concert at the Royal Opera House and Sweeney Todd with Bryn Terfel at the Royal Festival Hall.
In 1977 he began a long association with Glyndebourne conducting The Rake’s Progress for GTO. He co-founded Opera 80 where he was Music Director between 1988 and 1991. During this period he was resident conductor at the English National Opera‚ conducted with Scottish Opera‚ Dublin Grand Opera‚ Opera Northern Ireland‚ Opera North and made his Royal Opera debut at Covent Garden conducting Turandot‚ where he later returned for Die Zauberflöte. He was Artistic Director of Opera Northern Ireland from 1996 to 1999. Productions include The Cunning Little Vixen at ENO‚ La Bohème at Grange Park‚ Idomeneo‚ The Barber of Seville‚ Fidelio and Madama Butterfly in Belfast‚ Albert Herring‚ Falstaff‚ The Marriage of Figaro and Die Entführung aus dem Serail at Garsington and Madam Butterfly with Opera North.
Stephen made his international debut in 1989 conducting The Rake’s Progress for Vancouver Opera‚ since when he has returned for Madam Butterfly and Tosca. His US debut followed in 1990 when he conducted Capriccio with the San Francisco Opera and Dame Kiri Te Kanawa and then his Australian debut‚ in 1991‚ with Die Zauberflöte for Victoria State Opera. Subsequent foreign engagements include Elektra and Gounod’s Faust in Seville‚ The Cunning Little Vixen in Berlin‚ Capriccio and I Capuletti ed I Montecchi in Sicily‚ Rigoletto in Tirana‚ Il Barbiere di Siviglia in Riga‚ Madama Butterfly‚ Don Giovanni and Il Trovatore in Auckland‚ La Cenerentola and Turandot with Florida Grand Opera‚ Carmen in Melbourne‚ Turandot in Miami and Romeo et Juliette for the State Opera of South Australia.
In addition to his operatic work‚ he has conducted most of the major UK orchestras‚ and concert appearances further afield have taken him to Aarhus‚ Adelaide‚ Amsterdam‚ Belgrade‚ Bilbao‚ Brisbane‚ Copenhagen‚ Detroit‚ Johannesburg‚ Lausanne‚ Lille and Perth. In 1997 he was appointed Music Director of the Queensland Philharmonic Orchestra. Recordings include Joseph James’ Requiem with Sumi Jo and his own composition Rainbow Bear with his wife‚ Joanna Lumley‚ as narrator.
Stephen’s recent and current projects include Les Contes d’Hoffmann in Beijing‚ Capriccio‚ Rusalka‚ Tristan und Isolde‚ Pique Dame‚ Dialogues des carmélites and Peter Grimes at Grange Park Opera‚ Otello with Birmingham Opera Company; A Midsummer Night’s Dream at the Guildhall School of Music and Bruckner 8th with the Orchestra Sinfonica Siciliana.