Dido and Aeneas 1700

by Henry Purcell (1658-95)

15, 23 July at 7.15pm

This production is generously supported by

A tragic opera in three acts

Libretto by Nahum Tate

A fully-staged production by the New London Consort, using minimal set

One of the best-loved English operas, by arguably England’s greatest composer, with a brilliant English cast, one of the most eminent of all English directors and a world-famous designer… in a new, full-length version of Dido and Aeneas!

This stunning reconstruction of Purcell's masterpiece recalls the world of 1700 when Dido reappeared as interludes gracing Shakespeare’s Measure for Measure. Philip Pickett has reconstructed the dramatic score, with added slide-trumpets, kettle-drums, recorders, oboes, bassoon, serpent and double bass. Additional music by Purcell and Eccles, originally included in the 1700 performances but subsequently lost, has been reconstructed by Peter Holman and reinstated to make a full-length opera once again.

The punch and aching beauty of Dido and Aeneas was crisply realised… there was no shortage of bright sounds. Joanne Lunn’s every word, note and decoration dazzled. Julia Gooding and Michael George, just as affecting, occupied the title parts. Every number came nourished with exemplary force and finesse, timpani whipping up a tempest, violins leading a merry dance. Dido’s Lament was properly heartbreaking. The Times