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History of Buxton Festival


 

   

A lot to shout about

 

Early days

The first Festival

Unusual opera

First productions

Children welcome!

A new dimension

Finance

 

The Opera House - 1903

 

 

 

 

 

 

 

 

 

 

 

Donizetti’s Lucia di Lammermoor

 

 

 

Sarah Brightman

 

 

 

 

 

Early days

 

Designed by distinguished Edwardian theatre architect, Frank Matcham, the Buxton Opera House opened in 1903 but by 1932 was used largely as a cinema.

 

In 1936 the idea of a Festival caught on in Buxton and until 1942 – despite the war – the Opera House hosted an annual summer theatre festival with the Old Vic Theatre Company.


It then resumed its role as a cinema and over the years fell into disrepair. Despite its dilapidated state, however, (and the fact that Jaws was playing at the time), Malcolm Fraser, then lecturer in opera studies at the Royal Northern College of Music, was enchanted by the Opera House when he first saw it in 1976. He immediately saw its potential as venue for an opera festival and it was to that end that he channelled much of his time and energy over the next three years.

The first Festival


On 30 July 1979, Princess Alice reopened the restored Buxton Opera House on the first night of the first Buxton Festival. The Buxton Opera House had been subject to a painstaking two-year restoration programme by High Peak Borough Council; its raison d’être a summer opera festival run by Buxton Arts Festival Ltd. Malcolm Fraser’s dream had become a reality.

What followed is a catalogue of exciting innovation and rediscovery. From the first highly acclaimed year, the Festival’s hallmark has been its own new productions of rarely performed operatic masterpieces centred on a theme or themes to hold the events together and give them a common thread. From Sir Walter Scott to Shakespeare, the Greek Revival to Voltaire, the Festival has used its artistic policy to great effect.

 

View a list of all the Operas staged since the first Festival in 1979

 

Unusual opera

 

Lauded past productions range from works such as Cherubini’s Médée (1984 – the first UK performance with the original French dialogue) and the British stage première of Kodály’s Háry János (1982) and Donizetti’s Torquato Tasso (1988) to almost unknown works such as Cimarosa’s Il Matrimonio Segreto (1981 & 1993), Vivaldi’s Griselda (1983) which had not been staged anywhere since Venice in 1735. It was the first Vivaldi opera to be presented in Britain. Handel’s Ariodante (1986), Agrippina (1992), Suppé’s The Beautiful Galatea (1999), Verdi’s Un giorno di regno (2001) and Donizetti’s Maria Padilla (2003) show the variety offered.

First productions


Buxton Festival gave the first complete performance of Donizetti’s Lucia di Lammermoor in Britain; the first performance of Conti’s Don Chischiotte since the 18th century; the first complete performance of Grétry’s Le Huron and the first British performance of Cimarosa’s Il Pittor Parigino.

 

Children welcome!


The Festival staged the world premières of children’s operas: Nightingale by Charles Strouse; James and the Giant Peach by Herbert Chappell; Robin Hood by Norman Kay and The Ring for Children, Wagner’s 17 hours slimmed down to an hour and a half. Great rediscoveries have included Ambroise Thomas’ Hamlet, Cavalli’s Jason, Gounod’s La Colombe and L’occasione fa il ladro by Rossini.

 

New talent

 

Buxton has provided a stage for such great new voices as those of the Finnish baritone, Kari Nurmela, the Swedish soprano, Marianne Häggander, the French soprano, Christine Barbaux and Carlo Rizzi, the distinguished Italian conductor.


Stars of previous Festival productions include Sir Thomas Allen, Donald Maxwell, Rosalind Plowright, Jean Rigby, Philip Langridge, Ann Murray and Alan Opie. Other famous names are Victoria Wood, Willard White, Nigel Kennedy, Cleo Laine, Sarah Walker, John Ogdon, Alan Bates, Prunella Scales, Dame Janet Baker, Victoria de los Angeles, Sarah Brightman and Ned Sherrin.

 

A new dimension


Introduced to the Festival in 2000, the literary series has become a major part of the Festival. Speakers in recent years include:

Roy Hattersley, Venessa Redgrave, Sir Jeremy Isaacs, Robert Lacey, Beryl Bainbridge, Melvyn Bragg, Sir John Mortimer, Fay Weldon, Michael Heseltine, Richard Wilson, Sue Townsend, Doris Lessing, Rosamunde Pilcher, Shirley Williams, The Duchess of Devonshire, P D James, Gore Vidal, Michael Palin, Stella Rimington, Roy Jenkins, Douglas Hurd, Antonia Fraser, Matthew Parris, Tom Stoppard, Ben Okri, Michael Frayn, Claire Tomalin, Kate Aide, Sue MacGregor, David Sheppard, Fiona MacCarthy, Raj Persaud, Sandi Toksvig, Germaine Greer, Libby Purves, Alain de Botton, George Baker, Sir Roy Strong, John Sergeant, Robin Cook, James Naughtie, Sir Simon Jenkins, Joan Bakewell, Lord Deedes, Norman Lebrecht, Barry Cryer, Blake Morrison and Patrick Stewart.

Finance


The Buxton Festival receives only 10% of its budget from public funding and relies almost entirely upon ticket sales, sponsorship, donations and individual support.

All in all, the Buxton Festival’s got a lot to shout about.

 

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Last updated 20 March 2007

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